Cheryl D. Edwards
Contemporary Artist
Carnival I, 2014, Charcoal, Acrylic, and Gel Medium on Board, 12x12
Raciality, 2015, Charcoal, Acrylic, and Gel Medium on Board, 17x20
Cuban Study, 2014, Markers and Ink on Paper, 18x24
Carnival V, 2015, Ink, Charcoal, and Acrylic on Board, 30x30
Carnival II, 2015, Ink, Charcoal, and Acrylic on Board, 30x30
The Dancer, 2015, Ink, Charcoal, and Acrylic on Board, 17x20
Crystal, 2014, Ink, Charcoal, and Acrylic on Board, 17x20
Cuba
The integration of 29 years of work in the area of African Diaspora communities
gathered momentum when I went to Havana, Cuba in 2014. It was this fundamental
experience of observing; talking and being with the Afro-Cubans in Havana that
everything began to come together for me. The discussions were primarily about art,
activism and the fact that many Cubans had not crossed the water and had not been to the
other side. My observations were very private as I watched on a daily basis the people of
Havana sing to their Orishas and make flower offerings to the Atlantic Ocean. I made
many drawings in Cuba and upon my return to the United States I created portraits of
some of the people that I met and included references with the background of the
portraits of Cuban art historical inclusions.
Cuba inspired me to research elements of water as it related to memory and identity. It
occurred to me that the relationship of water to identity is deeply rooted in our core as
human beings. The adult human body averages approximately 70% water; albeit it is
probable that all life is evolved on a molecular level from water. In October 2014, Pope
Francis stated the following at an assembly of the Pontifical Academy of Sciences-
“Evolution in nature is not inconsistent with the notion of creation, because evolution
requires the creation of beings that evolve.”